“Lee Kravetz has created a bit of a miracle, a plot-driven literary puzzle box whose mystery lives in both its winding approach to history and its wonderous story. It’s a book full of ideas about inspiration and a love for language that translates across borders, physical and generational.”—Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's Son Blending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar. A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath’s modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life—that of her psychiatrist, a rival poet, and years later, a curator of antiquities. Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath’s semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she’s connected to Plath’s legacy in an unexpected way. Plath’s psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness. Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy. Like Michael Cunningham’s The Hours, Paula McLain’s The Paris Wife, and Theresa Anne Fowler’s Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz’s masterful literary novel is a hugely appealing read.
Strange Contagion is simultaneously a moving account of one community’s tragedy and a rigorous investigation of social phenomenon, as Kravetz draws on research and insights from experts worldwide to unlock the mystery of how ideas spread, ...
on one flattened palm and dropping her eyes toward the onions, the end of her braid dusting the surface of the soil. “I miscarried our second baby last year,” Sylvia says. “But itwasso early, my doctor told me it was perfectly normal.
Supersurvivors offers astonishing stories of the indomitable human spirit which will put your own life and how you live it into perspective.
How can she forge her own identity while fighting her demons and Scott's, too? With brilliant insight and imagination, Therese Anne Fowler's New York Times bestseller brings us Zelda's irresistible story as she herself might have told it.
A PULITZER PRIZE FINALIST A Publishers Weekly Best Book of the Year National Book Award-winning biographer Deirdre Bair explores her fifteen remarkable years in Paris with Samuel Beckett and Simone de Beauvoir, painting intimate new ...
Her work includes the autobiographical novel, The Bell Jar, and such collections as The Collosus, Ariel, and the Pulitzer Prize -- winning Collected Poems.
From the Midwestern prairie to the California desert, from Wisconsin lakes to the Pacific Ocean, this is a story of what happens when small town life is sprinkled with stardust, and what we lose—and gain—when we leave home.
The opening poem of this debut collection primes us to consider all definitions of the titular "focal point," as the speaker evaluates this moment of early loss beneath a literal and metaphoric microscope.
“Transported me effortlessly…Haunting, harrowing and heartbreaking, this is a novel that will stay with you.” --Ashley Audrain, New York Times bestselling author of The Push “A ghost story and fantastically gripping psychological ...
She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera.