Automatic music composition has blossomed with the introduction of intelligent methodologies in computer science. Thereby, many methodologies for automatic music composition have been or could be described as “intelligent,” but what exactly is it that makes them intelligent? Furthermore, is there any categorization of intelligent music composition (IMC) methodologies that is both consistent and descriptive? This chapter aims to provide some insights on what IMC methodologies are, through proposing and analyzing a detailed categorization of them. Toward this perspective, methodologies that incorporate bioinspired intelligent algorithms (such as cellular automata, L-systems, genetic algorithms, swarm intelligence, among others) as well as their combinations are considered and briefly reviewed. At the same time, a consistent categorization of these methodologies is proposed, taking into account the utilization of their intelligent algorithm in accordance to their overall compositional aims. To this end, three main categories can be defined: the “unsupervised,” the “supervised,” and the “interactive” IMC methodologies.
One named Sara and Timberlake had 11 male workers, 1 female worker, and 4 children workers, so it might have employed the Minor family.
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A sequel to In the Chat Room With God finds a group of teens contacted by a mysterious and increasingly malevolent character who claims to know about their encounters with the Almighty and challenges their beliefs. Original.
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