People are stimulated and entertained by the fascinating sounds and rhythms of non-Western music yet they generally know little about its underlying principles.
This detailed and hugely informative reference book examines the musical traditions of these very diverse cultures and explains how each one is affected by the native philosophies, religions and social structures. In African music, for example, music is dominated by trance-inducing rhythm and largely percussive instruments. In Islamic countries, music is primarily vocal and is often ideologically viewed with suspicion. Indian music, on the other hand, balances melodic and rhythmical expressions both in its secular and sacred contexts and, unlike Western music, its rhythmic thinking is additive rather than divisionist. In contrast, Chinese music is rhythmically 'square', that is predictably in two or four beats. Japanese music reflects the highly sophisticated styles of the courts, whereas the music of Bali and Java shows an ingenious amalgamation of Indian, Chinese and Islamic influences with its native traditions. This comprehensive introduction includes sections on the rhythm, melody, harmony and traditional instruments of the different regions.
'Having travelled throughout the world as a performing musician, it is clear that music is not only a universal language but also a medicine to us all. Through his publication Otto Karolyi has stirred our curiousity to delve further into the music and culture of the different continents. His superb account will be of interest to anyone who shares a fascination with music, our worldly friend' Evelyn Glennie
William Grant Still and the Fusion of Cultures in American Music
Carefully structured to link information directly to the CIM syllabus, this coursebook text offers a range of cases, questions, activities, definitions and study tips to support and test your understanding...
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
45905-1-2-3 Floating Down The old Green River ( Kalmar ) 31 Jul 15 A - 1825 BERT WILLIAMS : Vocal , with orchestra . ... 45912-1-2-3 Spring Morning Serenade ( Aubade Printanière ) ( P. Lacombe ) 4 Aug 15 A - 1805 PALIE K.LUA - DAVID K.
... as leader of Beethoven's ' Quintett , ' his colleagues being F. Cramer , Moralt , H. Gattie , and Lindley ; at the sixth concert ( May 31 , 1813 ) , he played second violin in a Quartet by Mozart . 128 According to F.G. Edwards ...
11 James W. Palmer's Shape - note hymnal was for sale in Lexington in 1826 : NEW MUSICK BOOK Just published , and for sale at J. W. Palmer's and W. W. Worsley's Book - Stores , “ THE WESTERN HARMONIC COMPANION ; Containing most of the ...
The Minstrelsy of England
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
'This book is about much more than the birth of opera: it is about why opera has the ingredients it does--its arias, laments, happy endings, and its struggles between men, and women, and gods.
据贝多芬的学生,贝多芬传记的作者辛德勒的记述,他曾向贝多芬请教关于第五交响曲第一乐章主导动机的寓意,贝多芬回答说:“这是命运的叩门,命运就是这样敲门的。”后来人们就称第五交响曲为“命运交响曲”。