Full-page newspaper ads announced the date. Reserved seats went on sale at premium prices. Audience members dressed up and arrived early to peruse the program during the overture that preceded the curtain's rise. And when the show began, it was--a rather disappointing film musical. In Roadshow!, film historian Matthew Kennedy tells the fascinating story of the downfall of the big-screen musical in the late 1960s. It is a tale of revolutionary cultural change, business transformation, and artistic missteps, all of which led to the obsolescence of the roadshow, a marketing extravaganza designed to make a movie opening in a regional city seem like a Broadway premier. Ironically, the Hollywood musical suffered from unexpected success. Facing doom after its bygone heyday, it suddenly broke box-office records with three rapid-fire successes in 1964 and 1965: Mary Poppins, My Fair Lady, and The Sound of Music. Studios rushed to catch the wave, but everything went wrong. Kennedy takes readers inside the making of such movies as Hello, Dolly! and Man of La Mancha, showing how corporate management imposed financial pressures that led to poor artistic decisions-for example, the casting of established stars regardless of vocal or dancing talent (such as Clint Eastwood in Paint Your Wagon). And Kennedy explores the impact of profound social, political, and cultural change. The traditional-sounding Camelot and Doctor Dolittle were released in the same year as Sergeant Pepper's Lonely Hearts Club Band, representing a vast gulf in taste. The artifice of musicals seemed outdated to baby boomers who grew up with the Cuban missile crisis, the Kennedy and Martin Luther King Jr. assassinations, race riots, and the Vietnam War. From Julie Andrews to Barbra Streisand, from Fred Astaire to Rock Hudson, Roadshow! offers a brilliant, gripping history of film musicals and their changing place in our culture.
Blue Skies and Silver Linings: Aspects of the Hollywood Musical
Broadway to Hollywood: Musicals from Stage to Screen
Conductor: Stu Phillips. Cast: Peanut Butter Conspiracy, Lollipop Shoppe, Ted Marckland, Stu Phillips. ANGLO! A MUSICAL CARTOON Original Cast (1984) • Justin Time ...
14, 272 Bride of the Regiment, 135, 304, 329, 421 Bright Lights, 121, 208, 330, 338, 342 Brisson, Carl, ... 8 Brook, Clive, 56, 179 Brooke, Tyler, 260, 358 Brooks, James L., 4 n.l Brooks, Louise, 83, 141 n.20 Brown, Beth, 315, 316 Brown ...
Describes how musicals work, formally and culturally. And why have they endured since the introduction of sound in the late 1920s? How are they more than glittery surfaces or escapist fare
This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World ...
Happily, he appears as 'The Unknown Lover', unmasked and with his eyesight restored, at the piano. The lovers are reunited, singing 'Together' by Michael Carr and Wilhelm Grosz. It's all pleasant enough but nothing very distinctive ...
A History of Movie Musicals: Gotta Sing, Gotta Dance
Kobal gives his views on the American musical and also includes a unique and illuminating section on European musical films.
In this work, film historian Matthew Kennedy explores the downfall of a beloved genre caught in the hands of misguided creators who glutted the American film market with a spate of expensive and financially unrewarding musicals between 1967 ...