Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary. The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology.
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Just Vibrations: The Purpose of Sounding Good calls for a time-out in our serious games of critical exchange.
Sara Ahmed, “An Affinity of Hammers” Larry Mitchell and the Unfashionable Line of Poor Queer Studies In the spring of 2013, at the suggestion of my CSI colleague Sarah Schulman, I wrote the following obituary for Larry Mitchell in the ...
... Enlightenment Crossings: Preand Post-Modern Discourses, Anthropological (Manchester: Manchester UniversityPress, 1991),159. Theessayoriginally appeared as"Thresholdand Explanation:The Social Anthropologist and the Critic of Eighteenth ...
This book also contains advice to teachers on how to handle student and institutional resistance to creating queer inclusive spaces, with a particular note on how to respond to 'frigid' contexts where engaging with LGBTQ+ content can become ...
His dissertation (French Fries in the Tagine: Re-Imaging Moroccan Popular Music) examined alternative trends in Moroccan popular music. In 2002, he was awarded a Fulbright-Hayes fellowship to research popular music in Morocco.
Valencia: Universitat de València/Dirección General de la Mujer. Louar, Nadia. 2008. "Version femmes plurielles: relire Baise-moi de Virginie Despentes." Palimpsestes 22 (Traduire le genre: femmes en traduction): 83-98. Lung, Rachel.
This interdisciplinary volume of essays gathers together essays by international pioneering scholars in queer theory, critical theory, cultural studies and science studies who have written on topics as diverse as Christ, the Antichrist, ...
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What can such musico-sexual iconography tell us about queer understandings of the human body before 1500? ... Although queer theory was applied to music relatively late in comparison to its adoption elsewhere in the humanities, ...