The Artful Species explores the idea that our aesthetic responses and art behaviors are connected to our evolved human nature. Our humanoid forerunners displayed aesthetic sensibilities hundreds of thousands of years ago and the art standing of prehistoric cave paintings is virtually uncontested. In Part One, Stephen Davies analyses the key concepts of the aesthetic, art, and evolution, and explores how they might be related. He considers a range of issues, including whether animals have aesthetic tastes and whether art is not only universal but cross-culturally comprehensible. Part Two examines the many aesthetic interests humans take in animals and how these reflect our biological interests, and the idea that our environmental and landscape preferences are rooted in the experiences of our distant ancestors. In considering the controversial subject of human beauty, evolutionary psychologists have traditionally focused on female physical attractiveness in the context of mate selection, but Davies presents a broader view which decouples human beauty from mate choice and explains why it goes more with social performance and self-presentation. Part Three asks if the arts, together or singly, are biological adaptations, incidental byproducts of nonart adaptations, or so removed from biology that they rate as purely cultural technologies. Davies does not conclusively support any one of the many positions considered here, but argues that there are grounds, nevertheless, for seeing art as part of human nature. Art serves as a powerful and complex signal of human fitness, and so cannot be incidental to biology. Indeed, aesthetic responses and art behaviors are the touchstones of our humanity.
As more and more of us are waking up to the truth about our climate, and our need to reverse the damage we have caused, Ghost Species is timely, poignant and reflective on what it means to be human on a personal and a global scale.
In Beyond the Creative Species, Oliver Bown offers a multidisciplinary examination of computational creativity, analyzing the impact of advanced generative technologies on art and music.
Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance ...
Is our natural attraction to Beauty another weapon in our arsenal of species' survival? This book examines many so-called rules of composition in the visual arts to find natural reasons for their existence.
... 171 evolutionary , 28 , 61-62 , 69–73 , 92 , 140-141 folk - psychological , 36 , 58 , 64 , detection of , 60 , 67 finding , 34–35 , 60 sharing , 67–68 , 70 , 72 signaling , 60 , 67-70 Freezing , 41-42 , 76 , 117 Frey , R. , 39-41 ...
In The Art of Keeping Snakes, de Vosjoli pursues this concept and provides advice for snake keepers who wish to create beautiful displays for their snakes, putting the animals' welfare and quality of life above all else and simultaneously ...
The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality.
125284 United Nations/Doranne Jacobson (1982), 152587 United Nations/Doranne Jacobson, 152586 United Nations/John Isaac, 146623 United Nations/John Isaac (1973), 125261 Leonard Becker Geoffrey Clements Todd Weinstein AMNH/Capt.
Return to Lincolnshire , 1776 177 An old Shetland pony communing with Driver , a foxhound , with the east front of Brocklesby Hall in the background Dated 1777 Oil on panel 231/2 X 271/4 ( 59.7 x 69.2 ) Inscribed : ( ? by Stubbs ) on ...
Now young readers can discover Charles Darwin's groundbreaking theory of evolution for themselves in this stunning picture-book adaptation that uses stylish illustrations and simple text to introduce how species form, develop, and change ...