What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?
The Nature of Beauty in Art and Literature
We serve others as cultural custodians of the future. This is a book for artists, but artists come in many forms.
A Century of Beauty: The Art of Olive Pemberton
Frameworks -- Beauty -- Art -- Music -- Dance -- Architecture.
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas.
This book provides a comprehensive look at rare material from Wendy's two Beauty and the Beast graphic novels, her Galaxy and If magazine covers and interior art, and preproduction art from the animated The Lord of the Rings film.
In Female Beauty in Art, a series of essays examine the presence and role of female beauty in art, history and culture, and consider the ways in which beauty can function as a discourse of female identity.
Philosophies of Art and Beauty is a thorough historical survey of philosophies of the arts. It provides descriptive analyses of the most significant and influential art forms which help to...
Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition.
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays ...