Freewomen and Supermen adds to the comparatively recent body of research which has sought to re-evaluate the literature and culture of the 'long' Edwardian period (1900-1914). It singles out the editors of two of the most important magazines for the history of modernism, Dora Marsden, editor of the Freewoman (later renamed the New Freewoman and then the Egoist) and A.R. Orage, editor of the New Age. Together with other editors such as Emma Goldman in America, Marsden and Orage fostered an optimistic, colourful, aube-de-siècle culture to rival the fin-de-siècle culture of the preceding decade. Their magazines were interdisciplinary in approach, with articles on literature and philosophy appearing alongside discussions of such matters as anarchism, eugenics, suffragism, suburban architecture, vegetarianism, and the 'intermediate sex'. Anne Fernihough argues that the often extreme positions adopted amongst 1900s radicals on both sides of the Atlantic were a response to a period of political turmoil and startling demographic and technological change. Their radicalism impacted in its turn on a wide range of literary forms, contents and theories, and continued to so beyond the First World War and into the 'high modernist' period. The book discusses both British and American writers across different genres, including Henry James, Dorothy Richardson, Upton Sinclair, Rebecca West, James Joyce, D. H. Lawrence, May Sinclair, Virginia Woolf, T. E. Hulme, Ezra Pound, Theodore Dreiser, Katherine Mansfield, Robert Tressell, and Gertrude Stein. Other cultural figures discussed include the sexologists Otto Weininger and Edward Carpenter, and the diet-reformer, Horace Fletcher. The film and television industries have often capitalised on a nostalgic vision of the Edwardian, but Freewomen and Supermen emphasises the more embattled aspects of Edwardian culture such as anarchism, suffragism, eugenics and food-reform, and shows how Edwardian radical thought was to play a crucial role in the development of literary modernism.
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Similarly , Nadja in " Word for Word " is reluctant to call Mr. Frankel by his first name , Ludwig , an act which would signal an acceptance of his appropriateness for her , since Ludwig — like Robert , Ernst , Fritz , Erich , Franz ...
Ellen went to Mrs. Donahue's house for help and Pius was soon hurrying to St. Lucy to telephone for a doctor. When Pius returned he brought the Carriers who remained all night. Bill and Pius helped the doctor set the bone and bind in ...
The mother was on Donahue. 60 Minutes did the doc and they'll repeat the news at ten. People dying, people killing, people crying— you can see it all on TV. Reality is really on TV. It's just another way to see— starvation in North ...
Philip P. Wiener . New York : Charles Scribner's Sons , 1973 . Plato . Plato : The Symposium . Trans . and ed . Alexander Nehemas and Paul Woodruff . Indianapolis : Hackett Publishing Company , 1989 . Plummer , Kenneth , ed .
When the credits started to roll and Carmen, needing her meds and cigarettes, handed Ryan her car keys, Mary Ellen stared in disbelief. “She's giving him her keys!” she thought, eyeing Pepe, trying to catch his attention because he knew ...
Here she debuts a provocative new story written especially for this series.
We make our way slowly into the assembly hall, where 26 identical pillars cut from one rock line the sides. A fat stupa cut of the same rock stands at the innermost part of the hall; 20 feet high, it's shaped like an overturned bowl ...
... 126 , 134 174 , 203 , 211 , 212 , 216 Theodorides , Aristide , 93 Wiseman , D. J. , 50 , 51 , 67 , Thomas , D. Winton , 170 , 84 , 85 , 89 , 93 , 170 , 200 171 , 200 Thompson , R. Campbell , Wolf , Herbert , 126 22 , 47 , 113 Wright ...
Everyone seems to have got something out of the speeches, the Metaphysical Revolution was declared, and Shelley's wind is now scattering “sparks, my words among mankind” (the passage Kathleen Raine quoted). We now hope it translates ...