The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.
This title offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century.
This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and ...
She also served as an editor for the anthologies Eighteenth-Century English Labouring-Class Poets (Pickering & Chatto, ... Countess of Winchilsea, comprising Volume 1: Early Manuscript Books and Volume 2: Later Collections, ...
And while that powerful image—especially when it is framed as one of many “masquerades” (19)—suggests the loneliness and ... “First Caprice in North Cambridge,” the “sordid patience” of slum dwellers, with hands—not even people but ...
Cohen- Vrignaud, Gerard, Radical Orientalism: Rights, Reform, and Romanticism (Cambridge: Cambridge University Press, ... 59 David Simpson, Romanticism and the Question of the Stranger (Chicago: University of Chicago Press, 2012), 107.
36 M. Childs, 'Labour Grows Up: The Electoral System, Political Generations and British Politics, 1890–1929', ... 2006); J. Thompson, British Political Culture and the Idea of 'Public Opinion', 1867–1914 (Cambridge, 2013).
first completely Irish poet in English', and celebrates both 'the comedy of Kavanagh'and 'gravity of Kinsella', ... Seamus Heaney's essays and lectures range across Irish, British, American, and East European poetry from Eliot to ...
I need to add that “coral” figures here not as a realworld entity—only in Shakespeare is coral made of bone— but as a literary organicism, comprising a rich patina for the renewal of epic poetic creation from past texts whose remains ...
9. andy Bielenberg, Cork's Industrial Revolution, 1780–1880: Development or Decline? ... 1997); Jane Gray, Spinning the Threads of Uneven Development: Gender and Industrialization in Ireland during the Long Eighteenth Century (lanham, ...