An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
A popular tale of a joke played upon a woodworker named Manetto and known as Grasso ( the fat man ) demonstrates how conclusively being seen could be connected with being . Recounted as a real episode and involving real people ...
... a major new essay on Piero della Francesca's Resurrection of Christ in which he probes the visual experience of a painting that criticism seeks to verbalize . 1 WORDS FOR PICTURES WORDS FOR PICTURES Seven Papers on WORDS FOR PICTURES.
20 ; and of the Basle H. Weczerka , Hansische Handelsstrassen , I , drawing ( Inv . 1959.105 ) in G. Schmidt , Fünf- Atlas , Cologne - Graz , 1962 . zehn Handzeichnungen deutscher und schweizer- 4. One means was to permit crafts to ...
`This handsomely illustrated book is an original attempt to make clear how much the art of the orators and the painters in the Renaissance had in common ... Extremely important for the history of art.' Neo-Latin News.
D. Landau and P. Parshall , The Renaissance Print , 1470-1550 ( New Haven , 1994 ) , 9 . 29. A. M. Hind , Early Italian Engraving ( London , 1938-48 ) , i . 42-3 . 30. D. Chambers and B. Pullen , with J. Fletcher , Venice : A ...
“Amore e Virtu: Two Salvers Depicting Boccaccio's 'Comedia delle Ninfe Fiorentine' in the Metropolitan Museum. ... Wilson 1987 Timothy Wilson, with the collaboration of Patricia Collins, and an essay by Hugo Blake.
This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society.
Richard Shone, John-Paul Stonard. 38Idem 1961, I, p.107. 39Idem 1903, I, pp.148–49. 40Ibid., p.149. 41Ibid. 42See ibid.; and C.C. Bambach: 'Leonardo, LeftHanded Draftsman and Writer', in idem: exh. cat. Leonardo da Vinci Master ...
Alberti’s Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art.
Explores significant business dealings between artists and patrons in a historical tour through the Renaissance that posits that the period's fabulous advances in culture were tied to the creation of wealth