In this exuberant sequel to his prize-winning The Jazz Age, Arnold Shaw captures virtually every aspect of popular music during the Depression.
Here is a colorful year-by-year chronicle of music in the '30s, blended with chapters on broader topics--the jazz clubs on Swing Street, the Big Band boom--and spiced with interviews with major figures (such as Burton Lane and Lionel Hampton), who bring a vibrant first-hand feel to the
narrative. Readers visit every corner of the music scene. We watch as the Hollywood musical takes off, highlighted by the brilliant Busby Berkeley and the luminous partnership of Fred Astaire and Ginger Rogers. We read about the incredible popularity of radio shows such as Your Hit Parade and Martin
Block's make-believe ballroom, which brought music to households from coast to coast. And we experience once again the great Broadway musicals of the period--from Girl Crazy to The Cradle Will Rock--written by a who's who of American song: Jerome Kern, Irving Berlin, George Gershwin, Rodgers and
Hart, and Cole Porter. But above all, the '30s were the Swing Era--when swing bands dominated dance halls, ballrooms, radio broadcasts, and record sales--and Shaw provides superb portraits of Benny Goodman, Duke Ellington, Glenn Miller, Count Basie, Tommy Dorsey, and countless others.
From Gershwin's Porgy and Bess to Disney's Snow White and the Seven Dwarfs, from Woody Guthrie to Ethel Merman, and from the Carioca to the Lindy Hop, here is an affectionate and informative account of this golden era of popular song.
Surgeon's Call
It also prompted a spoof in Sheb Woolley's ' Don't Go Near The Eskimos ' Dave Davies maintained that this simultaneously universal and personal opus “ was a gesture : ' Leave me alone . I'm not a performing seal .
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
... Georgia , 180 Caine , James M. , 604 Caine Mutiny , The ( film ) , 586 “ Caisson Song , The ” ( “ The Caissons Go ... 635-36 , 720 , 721 , 761 Carr , Alexander , 191 Carr , Benjamin , 6 , 16 , 18 , 19 , 22 Carr , Howard , 234 Carr ...
Pearl Jam, for example, tellingly revisited the punk tradition of social engagement almost immediately after Cobain's suicide, adopting an escalating social-political rhetoric inaugurated with 1994's Vitalogy.
Explains terms and slang relating to American popular music, discusses its various musical styles, and surveys the careers of important figures in popular music
Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before...
We All Want to Change the World provides a cogent and fascinating evaluation of post-World War II American commercial music and its complex, multi-faceted impact on the world of politics....
"Money for Nothing begins with the earliest days of the music video, when Hollywood musicals, experimental animated films, Soundies, and Scopitones fused music and image in ways that would presage...
Dancing in the Dark