Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.
... to make money vaguely. Therefore a poignant shadow, a keen accent, falls on these golden bristles [.. .] this flowing corn' (W, 48) and he anticipates financial success and ownership of a 'gold-headed cane' (W, ...
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts.
This volume discusses various perspectives of the theory of automorphic forms drawn from the author's notes from a Rutgers University graduate course.
A critical assessment of the work of film director Tobe Hooper.
The text gives a balanced overview of both the theoretical and computational sides of its subject, allowing a variety of courses to be taught from it.This second edition has been revised and updated.
This book is essentially self-contained, the necessary tools such as gamma and Bessel functions, Bernoulli numbers, and so on being given in a separate chapter.
It can be difficult at times to determine whether a given case represents R = N (as in Ex. 3.17 just discussed) and R = 1⁄2N. We will encounter somewhat similar difficulties when distinguishing between a simple 8-m. period and the ...
Argues for the thesis of universal ignorance, i.e., for the claim that nobody can ever know anything.
The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony.