Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often opinionated, always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."
This second volume analyzes 212 works from the String Trio canon utilizing the Placilla-Law system of chamber music grading developed in the first volume of this multi-volume series of We Are the Music Makers.
The first volume explores the 100 most programmed String Quartets and presents their grading by movement, enabling chamber music coaches and teachers the most effective means to program for all students.
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H Kerr's translation from the orig . French . No.25 in a series of contemporary compositions in classical , baroque , medieval or other traditional style . ( Copies : $ 1 ; 5 or more : 60 ¢ ea . ) ( 1982 Poster ) HEAR A TALK ! y ON 63.
Adams to Zemlinsky: A Friendly Guide to Selected Chamber Music
E. F. Schmid, Carl Philipp Emanuel Bach und seine Kammermusik (Kassel: Bärenreiter, 1931), 65; Rachel Wade, The Keyboard Concertos of Carl Philipp Emanuel Bach (Ann Arbor: UMI Research Press, 1981), 41-42 and passim. Source В for no.
Grażyna Bacewicz: Chamber and Orchestral Music
Dates the beginning of literature for the standard brass sextet as 1929 by J. Irving Tallmadge , and notes that it is unique to the United States . For a large survey of the literature of ensemble music for lip - reed instruments ...
123 Several clarinet virtuosi published vast numbers of duets , such as Michel Yost ( 1754 - 1786 ) who wrote perhaps as many as twenty collections , 124 and Jean - Xavier Lefèvre ( 1763 - 1829 ) , pupil of Yost and first professor of ...
Jean-Marie Leclair wrote four books of sonatas for violin and basso continuo (opp. 1,2,5, and 9), works that are surely among the finest French violin sonatas of the eighteenth century. Although Leclair's second book (op.