Military defeat, political and civil turmoil, and a growing unrest between Catholic traditionalists and increasingly secular Republicans formed the basis of a deep-seated identity crisis in Third Republic France. Beginning in the early 1880s, Republican politicians introduced increasingly secularizing legislation to the parliamentary floor that included, but was not limited to, the secularization of the French educational system. As the divide between Church and State widened on the political stage, more and more composers began writing religious--even liturgical--music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions. This trend coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike. Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic. In doing so, the book dismantles the somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, author Jennifer Walker reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance in an effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church.
Sacred Sounds, Secular Spaces: Transforming Catholicism Through the Music of Third-Republic Paris
Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions.
However, my research shows that by and large, the use of popular-secular music is not so much indicative of a church giving up its ... Gerald Hobbs, “Christianity and Music,” in Sacred Sound: Experiencing Music in World Religions, ed.
Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.
And life for Mendelssohn encompassed secular and sacred spaces without clear delineation, as his faith was part of ... Lawrence Kramer, “Sacred Sound and Secular Space in Mendelssohn's Instrumental Music,” in Rethinking Mendelssohn, ed.
14 Sacred Sound and Secular Space in Mendelssohn's Instrumental Music Lawrence Kramer Felix Mendelssohn intended his 'Reformation' Symphony for a festival in 1830 celebrating the three-hundredth anniversary of the Augsburg Confession, ...
Sound also marks sacred spaces through pilgrimages and festival rituals, among other religious practices (Beck, 2006; ... of sound seeking to differentiate between sacred practices and secular forms of expression (Baily, 2003).
Dickie, Jane R., Lindsey V. Ajega, Joy R. Kobylak, and Kathryn M. Nixon, 'Mother, Father, and Self: Sources of Young Adults' God Concepts', Journal for the Scientific Study of Religion, 45 (2006), 57–71.
... the Vamp, and the Gospel Imagination Braxton D. Shelley Sacred Sounds, Secular Spaces: Transforming Catholicism Through the Music of Third- Republic Paris Jennifer Walker French Musical Life: Local Dynamics in the Century to World ...
... Music Writing Emily Zazulia French Musical Life: Local Dynamics in the Century to World War II Katharine Ellis Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third- Republic Paris Jennifer Walker ...