Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
The spotlight lands on Samantha Brooks.
2 The concerto and society TIA DENORA As something that people do ' , ' music shapes and takes shape in relation to the social settings where it is produced , distributed and consumed . Within those settings , music may provide ...
This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and ...
A Guide to the Concerto offers a fascinating survey of the growth and development of the concerto form from its origins in the seventeenth century to the present day. Written...
No matter how much he wants her. “Heartbreaking and intimate… Skye Warren delivers a masterful and poetic portrayal of forbidden love and impossible choices.” – Jewel E. Ann, author of WHEN LIFE HAPPENED
Music, myth, and magic mix in this tale of a melody not meant for human ears, from the New York Times–bestselling and award-winning author of Darwin’s Radio.
Context and composition -- Concerto as catalyst -- Analytical tools and recurring elements -- Counterpoint and tonality in the first movement -- Tetrachords and tritones in the largo -- Points of imitation in the finale
Mozart's Clarinet Concerto: The Clarinetist's View
Completing the volume is Christoph Wolff's examination of the ""Siciliano"" as a slow movement in Bach's concertos and its implications for the source history of his Concerto for Harpsichord and Strings in E Major (BWV 1053).