William Blake and the Language of Adam

William Blake and the Language of Adam
ISBN-10
0198129858
ISBN-13
9780198129851
Category
Language Arts & Disciplines / Linguistics / General
Pages
272
Language
English
Published
1989
Publisher
Clarendon Press
Author
Robert N. Essick

Description

Setting William Blake's language concepts and practices within the broad context of linguistic history, this book offers a new perspective on his poetry. Essick first looks in detail at four of Blake's paintings and addresses some basic questions in semiotic theory based on the history of the
motivated sign idea from Plato to Wilhelm von Humboldt. Converting this background into a hermeneutic, he then demonstrates Blake's contributions to the mystical tradition and his critique of 18th-century linguistic doctrines, presenting a parodic deconstruction of rationalist sign theory in The
Book of Urizen. Finally, Essick looks at Blake's compositional practices, his development of these into a transactional view of language, and the apocalyptic reordering of the relationship between meaning and being in Jerusalem.

Similar books

  • Glorious Incomprehensible: The Development of Blake's Kabbalistic Language
    By Sheila A. Spector

    Traces the evolution of hebraic etymologies and mystical grammars as indicators of a profound shift in Blake's subjective consciousness from the earliest prose tracts, worked on before 1790, to the last years of his life, when he was still ...

  • Creating States: Studies in the Performative Language of John Milton and William Blake
    By Angela Esterhammer

    A study of the language of visionary poetry, making use of the principles of speech-act philosophy to analyze the creative properties of utterance from the Bible to the work of Milton and Blake.

  • Knight of the Living Dead: William Blake and the Problem of Ontology
    By Kathleen Lundeen

    ... red / Round globe hot burning " ( 11 : 1-3 ) . It is subsequently trans- ferred to Los , identified as a " globe of life blood " ( 15:13 ) , and fi- nally transformed into the " globe of fire " ( 20:48 ) that lights Urizen's path as he ...

  • Analysis "Garden of Love" by William Blake
    By Janine Dehn

    Or rather, the way the Church of England was interpreting the Bible and how they wanted the Bible to be read and comprehended by common people. This is connected to the poem, which is a criticizing the Church of England.

  • William Blake’s Comic Vision
    By N. Rawlinson

    62. talking ass is a comic episode in the Bible (Numbers 22: 22–35) – see Whedbee Bible and Comic Vision, p. 2. 'Call me Ass' is also the exclamation of the Lion (Britain) in spurning Fox and others from its back in a satirical print of ...

  • William Blake and the Myths of Britain
    By J. Whittaker

    ... Blake and Modern Thought (1929) and Ruthven Todd in his chapter on Blake included in Tracks in the Snow (1946). ... Owen's book, The Famous Druids (1962), is an extremely important study yet one which has certain limitations with ...

  • A Guide to the Cosmology of William Blake
    By Kathryn S. Freeman

    William Blake and the Daughters of Albion. New York: St. Martin's Press, 1997. Print. Ferber, Michael. The Social Vision of William Blake. Princeton, NJ: Princeton UP, 1985. Print. Makdisi, Saree. William Blake and the Impossible ...

  • Lessons of Romanticism: A Critical Companion
    By Thomas Pfau, Robert F. Gleckner

    Jean - Jacques Rousseau , in his Confessions , Reveries of the Solitary Walker ( 1776 ) , and other works , exerts himself to express a sense of his own selfhood , which , though not articulated in the terms of a general theory of ...

  • William Blake and the Art of Engraving
    By Mei-Ying Sung

    Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought.

  • The Cambridge Companion to William Blake
    By Morris Eaves

    Collects essays, based on the works of William Blake, that reflect upon such recurrent themes as art, religion, and politics.