This study examines how traditional modes of literary patronage responded to the challenge of print, as the economies of gift-exchange competed with those of the marketplace. It seeks to determine what sort of aesthetic influence patronage exerted and how this altered over time as courtly dedications were increasingly juxtaposed with epistles 'To the Reader'. It considers how patronal relationships figure in Early Modern theories of literature and what effect, ifany, such theories had in practice. It looks at the various ways in which the emergent sociology of the book trade became inscribed in Early Modern literature as poets attempted to reconcile Classicaland Medieval concepts of authorship with the demands of an increasingly commercialized ethos. By setting English Literature from Caxton to Jonson in the context of the most influential Classical and Italian templates it affords a wide comparative context for the reassessment of patronage both as a social practice and a literary theme.
For more on the Hemetes frontispiece and its significance to Gascoigne's career, see Austen, “Self- Portraits,” 34; and McCabe, “Ungainefull Arte,” 235–236. Rather than seek to resolve the duality between Gascoigne the poet and ...
What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London.
For an overview of the patronage system, its interactions with the print marketplace, and the rhetoric of patronal solicitation, see Richard A. McCabe, “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era (Oxford: ...
See also Alexander Dunlop, 'Calendar Symbolism in the Amoretti,' N. & Q. 16 (1969), 24–6; William C. Johnson, 'Spenser's Amoretti and the Art of the Liturgy,' SEL 14 (1974), 47–61. 90 Spenser, having worked in Ireland since 1580, ...
1 Richard A. McCabe, 'Ungainefull Arte': Poetry, Patronage, and Print in the Early Modern Era (Oxford: Oxford University Press, 2016). 2 Martin Elsky, Authorizing Words: Speech, Writing and Print in the English Renaissance (Ithaca: ...
For McCabe's challenge to the marginal place of liminal materials in early modern accounts of early modern English print culture, see “Ungainefull Arte”, pp.
31 Alice S. Miskimin, The Renaissance Chaucer; Andrew King, The Faerie Queene and Middle English Romance. ... 35 See J. B. Lethbridge's study, 'The Bondage of Rhyme in The Faerie Queene: Moderate “this Ornament of Rhyme”', ...
Blake speculates that Porter himself was instrumental in selecting this specific theme: The subject of Porter's newly commissioned painting might have been specially chosen to please and flatter both the artist and King Charles.
Puttenham , The Arte of English Poesie , ed . ... The Arte is also to be found in Smith's collection . ... in spite of Spenser's reference to an ' Areopagus ' including Sidney and Dyer ; see McCabe , ' Ungainefull Arte ' , 199–200 . a ...
This volume offers a 1921 thesis examining Tennyson's "In Memoriam" as well as "Nosce Teipsum" and "The Essay on Man."