This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Wells's accomplishments include editing the entire canon of Shakespeare plays for the ground-breaking Oxford Shakespeare and over his lifetime, Wells has made significant contributions to debates over literary criticism of the works, genre study, textual theory, Shakespeare's afterlife in the theatre, and contemporary performance. The volume is introduced by Peter Holland and its thirty chapters are divided into themed sections: "Shakespearian Influences," "Essays on Particular Works," "Shakespeare in the Theatre," and "Shakespeare's Text." An afterword by Margreta de Grazia concludes the volume.
The accuracy and textual integrity of the well-known Pelican edition of the plays plus the brilliant teaching suggestions of a Carnegie Foundation United States Professor of the Year makes this text the perfect choice for your English ...
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles.
Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues ...
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creative force in the performance of ...
These two criticisms are based on the presumption that only a socially and intellectually elite reader is able to view the author's language in terms of its organic relationship with the text as a whole.
On Page and Stage: Shakespeare in Polish and World Culture
Step on to a stage full of stories with this beautiful anthology of 12 stories from Shakespeare.
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning.