Ancient literary critics were struck by what they described as Thucydides' "nominal style," a term that refers to Thucydides' fondness for abstract nominal phrases. As this book shows, Thucydides frequently uses these phrases instead of approximately synonymous verbal and personalconstructions. These stylistic choices tend to deemphasize human agency: people find themselves in a passive role, exposed to incidents happening to them rather than being actively in charge of events. Thus, the analysis of the abstract style raises the question of necessity in Thucydides.On numerous occasions, Thucydides and his speakers use impersonal and passive language to stress the subjection of human beings to transpersonal forces that manifest themselves in collective passions and an inherent dynamic of events. These factors are constitutive of the human condition and becomea substitute for the notion of divine fatalism prevalent in earlier Greek thought. Yet Thucydidean necessity is not absolute. It stands in the tradition of a type of fatalism that one finds in Homer and Herodotus. In these authors, the gods or fate tend to settle the outcome of the most significantevents, but they leave leeway for the specific way in which these pivotal events come to pass. Thus, the Greeks endorsed a malleable variant of necessity, so that considerable scope for human choice persists within the framework fixed by necessity. Pericles turns out to be Thucydides' prime exampleof an individual who uses the leeway left by necessity for prudent interventions into the course of events.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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