This volume offers a reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets. Updated, revised, and with new manuscript material, this expanded new edition responds to the most significant critical work on Wordsworth's and Coleridge's radical careers in the three decades since the book first appeared. Fresh material is drawn from newspapers and printed sources; the poetry of 1798 is given more detailed attention, and the critical debate surrounding new historicism is freshly appraised. A new introduction reflects on how the book was originally researched, offers new insights into the notorious Leonard Bourdon killings of 1793, and revisits John Thelwall's predicament in 1798. University politics, radical dissent, and first-hand experiences of Revolutionary France form the substance of the opening chapters. Wordsworth's and Coleridge's relations with William Godwin and John Thelwall are tracked in detail, and both poets are shown to have been closely connected with the London Corresponding Society. Godwin's diaries, now accessible in electronic form, have been drawn upon extensively to supplement the narrative of his intellectual influence. Offering a comparative perspective on the poets and their contemporaries, the book investigates the ways in which 1790s radicals coped with personal crisis, arrests, trumped-up charges, and prosecutions. Some fled the country, becoming refugees; others went underground, hiding away as inner emigres. Against that backdrop, Wordsworth and Coleridge opted for a different revolution: they wrote poems that would change the way people thought.
Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only five poems to the collection, including one of his most famous works, "The Rime of the Ancient Mariner".
Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that ...
This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together.
Both poems are, nevertheless, members of what John Danby calls the “larger [poetic] complex” that contains the Lucy poems (John Danby, The Simple Wordsworth: Studies in the Poems 1797–1807[London: Routledge and Kegan Paul, 1960), p.
Coffman, Ralph J., Coleridges Library: A Bibliography of Books Oumed or Read by Samuel Taylor Coleridge (Boston, MA, 1987). Cohen, I. Bernard, The Newtonian ... Donahue, William, Astronomy', in Katharine Park and Lorraine Daston (eds.) ...
J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work.
Sheats Paul D. Sheats, The Making of Wordsworth's Poetry, 1785-1798 (Cambridge, Mass.: Harvard University Press, 1973). Shelley, Letters The Letters of Percy ... Snyder Alice D. Snyder, The Critical Principle of the Reconciliation of ...
In Fact, This Is Mainly A Study Of The Moral Concerns In The Plays Of The Three Elder English Romantic Poets Their Anxiety About The Mystery And Potency Of Evil And How To Com¬Bat It, The Issues Of Ends And Means That Have Disturbed The ...
Ed. W.J.B. Owen and Jane Worthington Smyser. Oxford: Clarendon Press, 1974. ———. “Preface to Lyrical Ballads (1802).” Lyrical Ballads: 1798 and 1802. Ed. Fiona Stafford. Oxford: Oxford University Press, 2013. 95–116. ———.
Unruly Times is a superlative portrait of the relationship between Wordsworth and Coleridge, and a fascinating exploration of the Romantic Movement and the dramatic events that shaped it.