Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed.
Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the ...
Blits, Jan H., 'Manliness and Friendship in Shakespeare's Julius Caesar' Interpretation 9 (1981), 155–67. ... Bristol, Michael D., 'The Two Noble Kinsmen: Shakespeare and the Problem of Authority', in Charles H. Frey, ed., Shakespeare, ...
The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare's own revision of an earlier version.
This edition offers a newly edited text and an exceptionally helpful and critically aware introduction.
1978 ) Kerrigan John Kerrigan , ed . , The Sonnets and A Lover's Complaint ( Harmondsworth , 1986 ) Kerrigan 2 John Kerrigan , ed . , The Motives of Woe : Shakespeare and “ Female Complaint . A Critical Anthology ( Oxford ...
That Romeo is merely banished for a killing half-acknowledges that this is no right tragedy, and seems to promise ... 8 Richard Levin, The Multiple Plot in English Renaissance Drama (Chicago, IL: University of Chicago Press, 1971).
This new edition also features an essay on Shakespeare's language by David Crystal, and a bibliography of foundational works.
Instead he riveted viewers' attention by means of the psychological intensity that informed the minutest details of his meticulously observed performance: his hoarding of '[a] little 1 Michael Billington, Guardian, 11 May 1984; ...
Looks at the life, career, works, and influence of William Shakespeare.
(Urbana, Ill., 1944) Barber C. L. Barber, Shakespeare's Festive Comedy (Princeton, N- 1-» I959) Bullough Geoffrey Bullough, ed., Narrative and Dramatic Sources of Shakespeare, 8 vols. (19 57-7 5) Chaucer Geoffrey Chaucer, The Works, ed.