Usually classifed as a 'problem comedy', All's Well that Ends Well invites a fresh assessment. Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooed by trickery won it little favour in earlier centuries, and both directors and critics have frequently tried to avoid or simplify its uncomfortable elements. More recently, several distinguished productions have revealed it as an exceptionally penetrating study of both personal and social issues. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newly accessible. She explains how the very discords of style can be seen as a source of theatrical power and complexity, and offers a fully reconsidered, helpfully annotated text for both readers and actors. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Instructors and students worldwide welcomed the fresh scholarship, lively and accessible introductions, helpful marginal glosses and notes, readable single-column format, all designed in support of the goal of the Oxford text: to bring the ...
"Authorship Companion: Cutting-edge research in attribution studies; A new perspective on the dating of Shakespeare's plays, and on his dramatic collaborations; Combines the work of senior scholars with exciting new voices; Explores the ...
The Oxford Shakespeare edition presents a radically new text, based on that First Folio, which printed Shakespeare's own revision of an earlier version.
1978 ) Kerrigan John Kerrigan , ed . , The Sonnets and A Lover's Complaint ( Harmondsworth , 1986 ) Kerrigan 2 John Kerrigan , ed . , The Motives of Woe : Shakespeare and “ Female Complaint . A Critical Anthology ( Oxford ...
That Romeo is merely banished for a killing half-acknowledges that this is no right tragedy, and seems to promise ... 8 Richard Levin, The Multiple Plot in English Renaissance Drama (Chicago, IL: University of Chicago Press, 1971).
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing.
(Urbana, Ill., 1944) Barber C. L. Barber, Shakespeare's Festive Comedy (Princeton, N- 1-» I959) Bullough Geoffrey Bullough, ed., Narrative and Dramatic Sources of Shakespeare, 8 vols. (19 57-7 5) Chaucer Geoffrey Chaucer, The Works, ed.
This edition offers a newly edited text and an exceptionally helpful and critically aware introduction.
Modern England: Manuscript Letters and the Culture and Practices of Letter-Writing, 1512–1635 (2012), ... Readings of Early Modern Culture, 1580– 1730 (2010), (with Andrew Gordon) Cultures of Correspondence in Early Modern Britain, ...
Looks at the life, career, works, and influence of William Shakespeare.