What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort--the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
Illustrated by astounding color and black-and-white images, the book presents the best of this mind-bending genre, detailing through insightful commentary and behind-the-scenes stories why each film remains essential viewing.
Like Alberti's windowpane, the proscenium frontispiece finally closed off the spectator from the world of the narrative action. If the Italian theater thus became truly a “seeing place,” around whose vantage point was the spectacle to ...
Now available in paperback, Narration in Light lays the foundations for a new account of cinematic point of view.
In fact, scholars invested in the notion of indexicality for explaining the preference for genuine film are faced with an additional problem. The direct contact obtains only for negatives of light-emitting objects such as stars, ...
The contributors to Retrovisions consider what happens to history in the movies. Focusing on films and texts from the 1950s to the 1990s, the contributors argue that the past has...
... informants informants 47–48; see also cardinal plot functions; catalyzers; functions; indices (proper) Ingham, Patricia 165 intertextuality 42–45 ITV Network 216 n., 241 Ivory, James 20, 21, 167, 199 Jackson, Glenda 80 Jackson, ...
Stephen King revisits five of his favorite short stories that have been turned into films. This collection features new commentary and introductions to all of these stories in a treasure-trove of movie trivia.
The Film – fact-based novel in which facts and fictions are mingled – is about a young man who finds himself being interviewed as an actor.
Imagination and Cognition Patrik Engisch, Julia Langkau. Davies, D. (2007). Aesthetics and Literature. London: Continuum ... Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind. Oxford: Oxford University Press. Gudas, F ...
The contributors to this volume negotiate the notion of a ‘classic’ in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. Taking the...