Edited by prominent musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom: Spirituality and the Music is a timely exploration of Coltrane's sound and its spiritual qualities that are rooted in Black American music-culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in Black American music and jazz studies and performance --Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Tammy Kernodle, Salim Washington, Eric Jackson, TJ Anderson ,Yusef Lateef, Billy Taylor, Olly Wilson, George Russell, and a never before published interview with Elvin Jones -- the book examines the full spectrum of Coltrane's legacy. Each work approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture.
A biography of the life of Al Vega, legendary Boston jazz pianist, spanning 70 years as a professional in the Boston area.
In John Coltrane & Black America's Quest for Freedom, edited by Leonard L. Brown, 73–98. New York: Oxford University Press, 2010. Koenigswarter, Pannonica de. Three Wishes: An Intimate Look at Jazz Greats. New York: Abrams Image, 2008.
17 Johnson, The Other Black Bostonians, 35, 37. 18 Adelaide M. Cromwell, The Other Brahmins: Boston's Black Upper Class, 1750–1950 (Fayetteville: University of Arkansas Press, 1994), 115–17; Manning Marable, Malcolm X: A Life of ...
Michael S. Sherry, Gay Artists in Modern American Culture: An Imaginary Conspiracy (Chapel Hill:University of North Carolina Press, 2007); Christopher Bram emphasizes how writing was a key vehicle for gays in Eminent Outlaws: The Gay ...
Archie Shepp (tenor saxophone), Ted Curson (trumpet), Joseph Orange (trombone), Marion Brown (alto saxophone), Reggie Johnson (double bass), Joe Chambers (drums), David Izenzon (double bass on track 3), J. C. Moses (drums on track 3).
As part of the responses to Coltrane's work, musician interviews, and retrospectives, writer Philip Watson expressed concern that the sacrosanctity of the Coltrane legacy was denying any degree of critical engagement with the subject.
Lewis Porter, notes to Coltrane, The Heavyweight Champion (Atlantic Records, 1995). Ratliff, Coltrane, 108–9. See Ibid., 71–72. Ibid., 86. Leroi Jones, notes to Live at Birdland (Impulse Records, 1963). Ratliff, Coltrane, 83.
Coltrane (New York: Schirmer, 1976); Porter, John Coltrane; and the collection of essays edited by Leonard Brown, John Coltrane and Black America's Quest for Freedom. 28. Tynan's comments are reprinted in Don DeMichael's subsequent ...
Jordan Klein, “A Community Lost: Urban Renewal and Displacement in San Francisco's Western Addition District” (master's ... in the Making and Unmaking of the Black Panther Party (Fayetteville: University of Arkansas Press, 2006), 169.
Music as History in the 1960s African American Poem Jean-Philippe Marcoux. Brooks, Gwendolyn. ... Performing the Word: African American Poetry as Vernacular Culture. ... John Coltrane and Black America's Quest for Freedom.