In this updated and expanded version of this classic study of contemporary American film, Kolker reassesses the landscape of American cinema over the past decade, as he examines works like Munich, A Prairie Home Companion, The Departed, and Funny People, in addition to classics by Arthur Penn, Stanley Kubrick, and Robert Altman.
In this 20th anniversary edition, Kolker continues and expands his inquiry into the phenomenon of cinematic representation of culture by updating and revising the chapters on Kubrick, Scorsese, Altman and Spielberg.
A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman
The "New Wave" style of American film of the 1960s and 70s--characterized by exciting, narrative innovation and sometimes adventurous reworkings of older film genres, as well as images of solitude...
Ed. Ian Cameron. New York: Praeger, 1969. Horton, Andrew S., and Joan Magretta, eds. Modern European Filmmakers and the Art of Adaptation. New York: Frederick Ungar, 1981. Some interesting essays on films and their literary sources.
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This new book provides a critical apparatus for "reading" the media students take for granted: clarifying the form and structure, history, production, reception, and the ways the media relate to one another and the audience that attends to ...
Stanley Kubrick is one of our most brilliant, innovative and difficult filmmakers. Norman Kagan's analysis cuts a lucid path through those difficulties.
And finally, there is the meeting with Ziegler in the billiard room of his stately home, next to the orgy the most important non-submersible unit. The scene summarizes the color scheme of the entire film: the deep blue of night outside ...
But to the men it's all “Mickey Mouse.” “What is this Mickey Mouse shit?” Hartman yells as he enters the latrine where Pyle has gone homicidal, suicidal. A Mickey Mouse doll is seen in the Stars and Stripes office in Vietnam where Joker ...
Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).