Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
Kurosawa completed High and Low in 1963 , Red Beard in 1965 , Dodes ' Kaden in 1970 , and Dersu Uzala in 1975. Among the more interesting younger directors of the sixties and seventies was Hiroshi Teshigahara , whose Woman in the Dunes ...
This is section 2 of How To Read a Film, enhanced and expanded. Richard Gilman referred to How to Read a Film as simply "the best single work of its kind.
A critic shares professional insights into how to derive more from a film experience, analyzing a range of iconic films to reveal metaphorical artistry techniques in the acting, filming, dialogue, and music.
How To Read A Film: Movies, Media,; Beyond
Agee, James. Agee on Film. Vol. 1: Criticism; Vol. 2: Screenplays. Reprint. New York: Grosset, 1969. Possibly the most important American film reviewer of the early years. Allen, Richard, and Murray Smith, eds.
Thomas C. Foster’s Reading the Silver Screen will show movie buffs, students of film, and even aspiring screenwriters and directors how to transition from merely being viewers to becoming accomplished readers of this great medium.
The second novel in the wildly popular First Law Trilogy from New York Times bestseller Joe Abercrombie.
Carl Gottlieb's account of the making of Steven Spielberg's classic shocker is a compelling insider's story of the making of a film phenomenon.
Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie.
How many remember that the “lightweight” British interviewer David Frost was the one who finally persuaded Richard Nixon to say he had committed crimes in connection with Watergate and let his country down? With his own money riding on ...