While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
A comprehensive survey of historical and contemporary Jewish dance.
See also Chinn, Inventing Modern Adolescence, 104, 107. 3. Yezierska, Bread Givers, 156, 177, 180. 4. Ibid., 193. 5. Chinn, Inventing Modern Adolescence, 103–104. 6. McBee draws a greater distinction between the courtship patterns of ...
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In Embodying Hebrew Culture: Aesthetics, Athletics, and Dance in the Jewish Community of Mandate Palestine, author Nina S. Spiegel argues that the Jewish community of this era created enduring social, political, religious, and cultural ...
As Naomi Jackson shows in Converging Movements, the Y's particular conception of Jewishness laid the groundwork for the establishment of a center for dance in the 1930s.
It’s 1968.
Introduction : the space of the dance floor -- The choreography of acculturation -- How Jews learned to dance -- The tavern : Jewish participation in rural leisure culture -- The ballroom : questions of admission and exclusion -- The ...
Jews Are a Dancing People: Tips on Teaching Jewish Folk Dancing
In histories of post-World War II popular music, the so-called Brill Building sound is rarely given its due. Often, it is referred to as the music that comes between the demise of the first era of rock and roll and rhythm and ...