The Age of New Waves examines the origins of the concept of the "new wave" in 1950s France and the proliferation of new waves in world cinema over the past three decades. The book suggests that youth, cities, and the construction of a global market have been the catalysts for the cinematic new waves of the past half century. It begins by describing the enthusiastic engagement between French nouvelle vague filmmakers and a globalizing American cinema and culture during the modernization of France after World War II. It then charts the growing and ultimately explosive disenchantment with the aftermath of that massive social, economic, and spatial transformation in the late 1960s. Subsequent chapters focus on films and visual culture from Taiwan and contemporary mainland China during the 1980s and 1990s, and they link the recent propagation of new waves on the international film festival circuit to the "economic miracles" and consumer revolutions accompanying the process of globalization. While it travels from France to East Asia, the book follows the transnational movement of a particular model of cinema organized around mise en scène--or the interaction of bodies, objects, and spaces within the frame--rather than montage or narrative. The "master shot" style of directors like Hou Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a crucial but overlooked tendency in new wave film, and this cinema of mise en scène has become a key aesthetic strategy for representing the changing relationships between people and the material world during the rise of a global market. The final chapter considers the interaction between two of the most global phenomena in recent film history--the transnational art cinema and Hollywood--and it searches for traces of an American New Wave.
With a fresh voice, biting humor, and piercing observations about human nature, Kevin Nguyen brings an insider’s knowledge of the tech industry to this imaginative novel.
With a fresh voice, biting humor, and piercing observations about human nature, Kevin Nguyen brings an insider’s knowledge of the tech industry to this imaginative novel.
While Garrel's filmmaking in the 1970s thus reflects a difficult, and sometimes tragic, personal life, it can also be read as a reflection of France in the years after May 1968. Garrel began making films around 1968 – indeed his footage ...
115 Dutton's story draws considerably upon Russell, Roving Mariners, 111ff. For Dutton as pioneer, see J. G. Wiltshire, Captain William Pelham Dutton: First Settler at Portland Bay, Victoria: A History of the Whaling and Sealing ...
The core volume in the Traditions in World Cinema series, this book brings together a colourful and wide-ranging collection of world cinematic traditions - national, regional and global - all of which are in need of introduction, ...
The book also covers other new waves, such as those of Greece, Hungary, documentary - Cinema Verité and Direct Cinema - animation, avant garde and the so-called No Wave filmmakers.
Reframes and rediscovers the virtues and limitations of movies created during the late twentieth century, between the fading modernity crystallized in cinema and the ascendant new digital media visible in the offing
Along the way, the book illustrates how global commerce works, that we are amidst a global naval arms race, and why the oceans are so crucial to America’s standing going forward.
Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.
Moving Pictures, Still Lives reframes and rediscovers the virtues and limitations of movies created during the late twentieth century, between the fading modernity crystallized in cinema and the ascendant new digital media visible in the ...