Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca. A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century.
... Bob Thomas of Associated Press, Hollywood; Professors Frank Gatell and Paul Worthman of UCLA; Walter Burrell, then of Universal Pictures; Professor Russell Merritt of the University of Wisconsin; David H. Shepard of Blackhawk Films, ...
But he can't hide for ever. Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan -- this is going to hurt.
Cripps also concludes that Hollywood was suf¤ciently capitalized to co-opt any successful idea produced by black producers of race movies—hence, the double meaning of Cripps's title Slow Fade to Black—the slow fade-out of the ...
Thomas Sayers Ellis. SLOW FADE TO BLACK for Thomas Cripps Like a clothesline of whites Colored hands couldn't reach , a thousand souls crossed promised air and the screen glowed like something we were supposed to ... Slow Fade to Black.
In Fade to Black, the thrilling sequel to Blackout from David Rosenfelt, policeman Doug Brock helps a fellow victim of amnesia untangle a murder case and discovers he may not be as distant as he thinks.
Thomas Cripps, Slow Fade to Black. New York, NY: Oxford University Press, 1993, p. 29. 3. Bogle, Toms, Coons, Mulattoes, Mammies & Bucks, p. 10. 4. Quoted in Cripps, Slow Fade to Black, p. 52. 5. Quoted in Edward Mapp, ...
The Hollywood Message Movie from World War II to the Civil Rights Era Thomas Cripps. ter , Feb. 4 , 1944 , p . 2 , reported on the coven of agencies , copy in entry 269 , box 1486 , OWI , RG 208 , NA - MD ; Munson to Litvak , Nov.
Synopsis : * Martin Sheen and Sissy Spacek star in this film about a polite but amoral young man ( Sheen ) who shoots anyone who blocks his efforts to be with Holly ( Spacek ) . She willingly accompanies him as he avoids pursuit by ...
Slow Fade
Cripps, Slow Fade to Black, 222–24. 36. Markham and Levinson, unpaged; the book details Markham's show business career. 37. Bogle, Blacks in American Film and Television, 388; quotation from Variety, n.d. 38.