From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.
Although his rise was comparatively slow, Owens established himself in the public affection with his characterizations of Dr. Pangloss, Caleb Plummer, Paul Pry, Aminadab Sleek, and Timothy Toodle, many of which Burton had popularized ...
This text presents keywords and critical terms that deepen analysis and interpretation of the musical.
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre has established itself as the standard one-volume source on our national theatre. It has been hailed for its "wealth...
A history of American musical comedy traces its origins, influences, and trends, and focuses on the major productions, composers, and writers
100 Greatest American Plays is the 1st book on the 100 greatest American, non-musical plays.
The 21 short plays in this collection seek to humanize science by looking at advances from a different point of view. Ideal for STEM or STEAM middle and high schools, these plays are a valuable addition for cross-curriculum studies.
Covers music from ancient times to the present day. All aspects of music are covered in 6,600 entries including: composers, individual works, music at various periods (Medieval, Renaissance, Baroque, Classical,...
Kaufman and Hart assumed the sketch-writing chores Friedman had originally been slated for, leaving Friedman solely with credit for conceiving and directing the show. The fun was still at the expense of the successful, but, ...
Oklahoma! and the integrated book musical -- Musical theater in nineteenth-century America -- Broadway at the turn of the century -- The teens -- The twenties -- The thirties -- The forties -- The fifties -- The sixties -- The seventies -- ...
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key ...