In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
Samuel Brody , writing in the Daily Worker , criticized Experimental Cinema for printing the tribute , since Experimental Cinema had disagreed with Potamkin's aesthetics . Brody wrote that in the previous three years divergent roads had ...
As this book shows, there is still much to explore. Examining the film, its reception and its legacies from fresh perspectives, the book provides productive approaches to studying Birth in the twenty-first century.
As Griffith's official biographer, Seymour Stern's main purpose of his book was to assemble, as extensively as possible, the rapidly vanishing record of what happened.
This work challenges the idea the U.S. has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.
45 color line was erased: NAACP Papers, NAACP Annual Conference, Baltimore, MD, May 1914; Second Session, Boston branch report by Butler R. Wilson, 18, 2–7. 46 “Oh! Susanna!”: Boston Public Library, Rare Books and Manuscripts, ...
Now here is the source material for that epic masterpiece of war and its aftermath, of courage, cowardice, conspiracy and revenge.
D. W. Griffith's The Birth of a Nation: Controversy, Suppression, and the First Amendment as it Applies to Filmic Expression,...
London: Eureka Video, 2002. DVD. Harkins, E. F. “Griffith's Master Film has Made Rare Record: "The Birth of a Nation," which is returning to Boston, has been sent around the world - Miss Barrymore's engagement extended.” Boston Journal.
After escaping prison guards by jumping into the ocean and swimming away, Charlie rescues a lovely young girl (Edna Purviance), her mother (Marta Golden), and the girl's oversized, jealous bully of a suitor (Eric Campbell) from drowning ...
Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer.