In One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another - theatre, radio, film, television, even, at one point, ballet - in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles' self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?
A stunning portrait of the life and career of Orson Welles describes his early success in the worlds of radio, theater, and film; the boredom and self-destructive impulses that led to his rapid decline; and his colorful personal life.
Orson knew that he had plenty of serious preparation to do for his goodwill lecture tour (including studying elementary Portuguese for his stay in Rio), so he dispatched Miriam Geiger to gather background information on the South ...
This Is Orson Welles, a collection of penetrating and witty conversations between Welles and Peter Bogdanovich, includes insights into Welles's radio, theater, film, and television work; Hollywood producers, directors, and stars; and almost ...
McBride's friendship and collaboration with Welles and his interviews with those who knew and worked with the director make What Ever Happened to Orson Welles? a portrait of rare intimacy and insight.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
This book brings together an exceptional array of interviews, profiles, and press conferences tracing the half century that Orson Welles (1915- 1985) was in the public eye.
Orson Welles at large The chapter title is that of OW's proposed series for ABC-TV in 1958 (the pilot was Viva Italia! ... Show Me the Magic (New York: Simon & Schuster, 1999); James Naremore, The Magic World of Orson Welles (New York: ...
This all-encompassing work also details the personal side of Welles's life, including his romances with Rita Hayworth and Dolores Del Rio and the confounding tragedy of his final years.
Publisher description
Orson Welles was many things - actor, radio personality, director, writer and producer.