In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when some permissions “i” proves undottable. Patricia Aufderheide and Peter Jaszi chart a clear path through the confusion by urging a robust embrace of a principle long-embedded in copyright law, but too often poorly understood—fair use. By challenging the widely held notion that current copyright law has become unworkable and obsolete in the era of digital technologies, Reclaiming Fair Use promises to reshape the debate in both scholarly circles and the creative community. This indispensable guide distills the authors’ years of experience advising documentary filmmakers, English teachers, performing arts scholars, and other creative professionals into no-nonsense advice and practical examples for content producers. Reclaiming Fair Use begins by surveying the landscape of contemporary copyright law—and the dampening effect it can have on creativity—before laying out how the fair-use principle can be employed to avoid copyright violation. Finally, Aufderheide and Jaszi summarize their work with artists and professional groups to develop best practice documents for fair use and discuss fair use in an international context. Appendixes address common myths about fair use and provide a template for creating the reader’s own best practices. Reclaiming Fair Use will be essential reading for anyone concerned with the law, creativity, and the ever-broadening realm of new media.
In this book, James Meese offers a new way to think about these three central subjects of copyright law, proposing a relational framework that encompasses all three.
In 'Forms Liberate: Reclaiming the Jurisprudence of Lon L Fuller', Kristen Rundle offers a close textual analysis of Fuller's published writings and working papers to explain how his claims about the internal morality of law belong to a ...
Perhaps Grierson's harshest critic has been British scholar and ex-broadcast journalist Brian Winston, who argued that Grierson's project poisoned the well for the form, which avoided responsibility for its role as truth teller by ...
One Cash Register, 241 United States v. ... H. G., 118–19, 142, 188 Weston, Jessie L., 303 n.156 W. E. Tunis (bookseller and publisher), 46 White, Vanna, 227 Whitman, Walt, 25, 141 Wilde, Oscar, 26, 91, 103, 213 American tour, 11, 26, ...
This set of judicial opinions and other materials has been prepared for use in conjunction with CopyrightX - a twelve-week networked course offered annually under the auspices of Harvard Law School, the HarvardX distance-learning initiative ...
Equally important, this book shows, the new law reflects important changes in our notions of the purpose of communications regulation and how it should be deployed.
This burgeoning interdisciplinary interest in “intellectual property” has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to ...
Yet this book looks at the new opportunities that sprang up through electoral politics and mass action during that period. The chapters here warn against over-simplification of the so-called 'pink wave'.
Take Back Your Power presents both hard data and Liu's personal experiences from twenty years as a woman leader in the male-dominated tech industry to help you: Find your voice, learn how to ask, and achieve what you want in a system that ...
In partnership with Colorado's governor, a Democrat, Wait No More engaged dozens of congregations to recruit adoptive parents for waiting children in foster care. Though Kelly is always sure to share credit with the adoption agencies ...