Explores the cultural meaning of swing music to the people of the United States as they struggled through the Depression and World War II.
... Swingin ' the Dream : Big Band Jazz and the Rebirth of American Culture ( Chicago : The University of Chicago Press , 1998 ) , p . 185 . 3. Ibid . 4. Ibid . , pp . 182-185 . 5. Walker , The Wonderful Era , pp . 89–101 . 6. Erenberg , ...
... Bob Carleton , Edgar De Lange , Cliff Dixon , Nat W. Finston , Woody Herman ; Non - Original Music : Frederic Chopin ... Executive in Charge of Production : Leon Fromkess ; Assistant Director : Joseph Boyle ; Sound : Fred Lau ...
31. At this point, history differs as to what happened next. Every discography states that “I Can't Give You Anything but Love” was recorded on March 5, 1929, the same day as another tune, ...
Hyams , Joe . “ Benny Goodman Consents to Film of His Life Story . ” New York Herald Tribune , April 1 , 1954 . Life . “ Benny Is Heard but Not Seen ” ( February 13 , 1956 ) . Look . “ Benny Goodman : The Life of a King ” ( February 21 ...
... the participation of musicians from Communist countries meant more than just cultural exchange.29 The Berliner Jazztage festival functioned as a venue for interconnecting the West German jazz scene with the global jazz scene.
Beginning in 1875 and ending in 1945, when the term "teenage" became an integral part of popular culture, Savage draws widely on film, music, literature high and low, fashion, politics, and art and fuses popular culture and social history ...
Amy Bizjak, Frank Driggs, Hazel Hankin, Joyce Hansen, Rich Hansen, Mel Howard, Ed Kashi, David Lee, Stuart Math, Dianne Nilsen (Center for Creative Photography, University of AZ), Don Peterson, Anita and Steve Shevett, ...
In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place.
Luhrmann's film was aimed at the duel and overlapping markets of popular culture and educational culture. ... education experience, and the possibility that a classroom experience of Shakespeare can be life changing is often explored.
An account of popular Shakespeare performances in America, and of musicals based on Shakespeare's plays.