In After Empire Michael Gorra explores how three novelists of empire—Paul Scott, V. S. Naipaul, and Salman Rushdie—have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in The Raj Quartet, of the character Hari Kumar—a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India. He then turns to the opposed figures of Naipaul and Rushdie, the two great novelists of the Indian diaspora. Whereas Naipaul's long and controversial career maps the "deep disorder" spread by both imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. After Empire provides engaging and enlightening readings of postcolonial fiction, showing how imperialism helped shape British national identity—and how, after the end of empire, that identity must now be reconfigured.
Drawing on texts from the writings of Fanon and Orwell to Ali G. and The Office, After Empire, Paul Gilroy explores Britain's failure to come to terms with the loss of its empire and pre-eminent global standing.
Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders.
A historian and anthropologist uses demographic and economic factors to explain the waning hegemony of the United States.
28 For a more detailed discussion of the differences between the two texts, see Richard Wall, “An Giall and the Hostage Compared.” Modern Drama 18, no. 2 (1975): 165–172. 29 Brendan Behan, “The Hostage,” in Behan: The Complete Plays, ...
71–76 Thompson, D. J., “Egypt, 146–31 b.c.,” in J. A. Crook, A. Lintott, and E. Rawson (eds.), Cambridge Ancient History2 9 (Cambridge: 1994), pp. 310–326 Thompson, D. J., “The Ptolemies and Egypt,” in A. Erskine (ed.) ...
The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it.
A pioneering comparative history of European decolonization from the formal ending of empires to the postcolonial European present.
This book makes the case that the idea of a "world" in the cultural and philosophical sense is not an exclusively Western phenomenon.
In Postcolonial Melancholia, Paul Gilroy continues the conversation he began in his landmark study of race and nation, 'There Ain't No Black in the Union Jack, ' by once again departing from conventional wisdom to examine-and defend ...
Hard-hitting yet fair, Haunted Empire reveals the perils and opportunities an iconic company faces when it loses its visionary leader.