Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.
... 2013); and Matthew L. Basso, Meet Joe Copper: Masculinity and Race on Montana's World War II Home Front (Chicago: University of Chicago Press, 2013). 78. “Council Meeting Minutes, February 2, 1942,” folder— Council Meetings, ...
Describes World War II, using the reader's choices to reveal historical details from the perspectives of a young American mother joining the work force, a California boy, and a wounded African American veteran.
2 The Way We Thought We Were : Images in World War II Films Linda Harris Mehr In an oral history recently conducted by the Academy of Motion Picture Arts and Sciences , the art director Robert Boyle recounted the first day he began work ...
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The saluting crowds of 1933 become the shocked refugees of 1945. The text reinforces images of a people victimized by a regime whose promises obscured its evil.
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