Medical professionals, scientists, and patients have long grappled with the dubious nature of medical certainty regarding diagnosis, treatment, and prognosis of disease states. Modern Western medicine strives for certainty by monitoring symptoms, modeling risk, and controlling knowledge. In the 1990s, evidence-based medicine became coin of the realm for managing uncertainty. This turn toward evidence-based medicine has proved highly contentious, however. Considerable scholarship has emerged exploring the complex nature of evidence-based medical decision making. Many scholars have sought to account for affect, logic, intuition, persuasion, and experiential knowledge in medicine. But what of the pre-deliberative practices that render the grounds upon which decisions are made? What of the agentic capacity of evidence itself? Inspired by these questions, in Bodies in Flux: Scientific Methods for Negotiating Uncertainty, technical communication scholar Christa Teston explores the discursive and material methods by which medical evidence is designed and the pre-deliberative, rhetorical design work that affords grounds upon which uncertainty is identified and managed when medical decisions are made. She explores specific sites (pathology laboratories and FDA drug hearings) and methodological practices (statistical analysis and genetic sequencing) of medical decision making to reveal the real-time assemblages of people, bodies, practices, and objects that create evidences that are later used to make decisions about treatment. In doing so she reveals the complexity of this work and demonstrates ways in which medical evidence is not definitively objective. Rather than viewing construction of certainty as an exclusively human enterprise, she demonstrates how humans and nonhuman agents co-construct certainty in real-world medical settings where life-and-death decisions must be made.
Rarely does that maxim apply to one's whole body all at once. What follows are four stories of characters who find their physical forms and identities in a state of flux.
Being in Flux will be of interest to students and scholars in philosophy and the humanities generally and to anyone interested in current debates about realism, materialism and ontology.
The publication for The Body in Women's Art Now: Part 2 - Flux will include original essays contributed by Tracey Warr (writer, editor of The Artist's Body, Phaidon, 2000) and Philippa Found (exhibition curator) and Paul Carey-Kent.
Stephen Baxter's third novel in his magnificent Xeelee Sequence is an exotic and endearing story of an abandoned people.
When loneliness opens her mind to flux, the ability to alter her vibratory state in the molecular field, she learns to travel to other levels of reality.
Author and museum curator Emily Zilber investigates the role of new tools and materials, the connection between craft and performance, and the power of craft's interactions with space as seen in these stunning and surprising objects in flux ...
Focusing on practice more than theory, this collection offers new perspectives for studying the so-called “humoral medical traditions,” as they have flourished around the globe during the last 2,000 years.
... body is therefore a body in flux. I would therefore argue that ageing runners have striven to challenge their habitus position by managing this state of flux to their advantage, that is by unsettling the relationship between ageing and ...
... bodies eternally (ἀεί) goes along its own singular path in a circle (κύκλῳ). It remains only to match this circular motion with νάω, flow, to see that it is this argument from Book X that is recapitulated in the claim that soul 'takes ...
For many American jewelers, these events and values materialized in the studio, as well as in everyday life. *In Flux* is the story of how jewelry contributed to the raucous, contradictionary, and enthusiastic clamor for a new society that ...