After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated, while “Ground Zero” remains the contested site of an effort at adequate commemoration.
In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war.
In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory.
Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
Outlines the plot and characters of this groundbreaking play; explains the production, historical context, and themes; and includes critiques and reactions of scholars.
他们虽然不像其他流派团体一样,拥有严密的组织,但是常常会举办一些文化沙龙,比如说林徽因每逢周六就会在自家的四合院里举办茶会,邀约各类学术精英、社会名流前来品茶聚会、谈古论今。林徽因的女儿梁再冰后来回忆道:“每到周末, ...
约翰?伦纳德是美国文学界的一位泰斗。作为一名博学、热忱、涉猎甚广的书评人,他亲手参与塑造了美国当代文学的风貌。本书系从伦纳德历经50载的阅读生涯中萃取的50篇对多位名 ...
Marshall , James . Goldilocks and the Three Bears . Retold and Illus . by : James Marshall . New York : Dial , 1988 . Mayo , Gretchen Will . Here Comes Tricky Rabbit : Native American Trickster Tales . New York : Walker , 1994 .
Cyrus Hoy, Thomas Dekker Fredson Bowers. but this identification is by no means regarded as certain , ' Hand C is that of a theatrical scribe , Hand D has been attributed to Shakespeare , 3 Hand E has been identified as Dekker's.4 ...
As Thompson has pointed out, we commonly use words, expressions, and constructions in written expositions that would seem artificial in oral speech. Gri- boedov's phrase, "and you speak as you write," refers to the comic transfer of the ...
The Ruined Cottage: The Brothers Michael
This edition represents Shakespeare's text as it appears in the most authoritative of early editions, the Folio, published in 1623, and it supplies students with useful footnotes to the interpretation of the text.
Here are more than 1,800 quotations, organized from A-to-Z, from America's consummate author--Mark Twain.
Tested GOLD MEDAL WINNER only a few and proved Jowett training will bring WEEKS AGO ! " you new men and women Yriends , new popularity everywhere you go . ALL XO ! I don't care how skinny or llabSPORTS by you are , I'll make you OVER by ...