From Einstein and Truman to Sartre and Derrida, many have declared the atomic bombing of Hiroshima and Nagasaki to be decisive events in human history. None, however, have more acutely understood or perceptively critiqued the consequences of nuclear war than Japanese writers. In this first complete study of the nuclear theme in Japanese intellectual and artistic life, John Whittier Treat shows how much we have to learn from Japanese writers and artists about the substance and meaning of the nuclear age. Treat recounts the controversial history of Japanese public discourse around Hiroshima and Nagasaki—a discourse alternatively celebrated and censored—from August 6, 1945, to the present day. He includes works from the earliest survivor writers, including Hara Tamiki and Ota Yoko, to such important Japanese intellectuals today as Oe Kenzaburo and Oda Makoto. Treat argues that the insights of Japanese writers into the lessons of modern atrocity share much in common with those of Holocaust writers in Europe and the practitioners of recent poststructuralist nuclear criticism in America. In chapters that take up writers as diverse as Hiroshima poets, Tokyo critics, and Nagasaki women novelists, he explores the implications of these works for critical, literary, and cultural theory. Treat summarizes the Japanese contribution to such ongoing international debates as the crisis of modern ethics, the relationship of experience to memory, and the possibility of writing history. This Japanese perspective, Treat shows, both confirms and amends many of the assertions made in the West on the shift that the death camps and nuclear weapons have jointly signaled for the modern world and for the future. Writing Ground Zero will be read not only by students of Japan, but by all readers concerned with the fate of culture after the fact of nuclear war in our time.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
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In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
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Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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