The first detailed examination of the place of pop music film in British cinema, Stephen Glynn explores the interpenetration of music and cinema in an economic, social and aesthetic context through case studies ranging from Cliff Richard to The Rolling Stones, and from The Beatles to Plan B.
Carefully researched and drawing on interviews with some of the survivors of the era, this guide provides a witty and detailed account of each major production listing its stars, directors, producers and music and showing how they were ...
Pop music stars in many of the most exciting and successful British films--from Performance to Trainspotting, from A Hard Day's Night to Human Traffic. Other films using pop music might...
8 R. Murphy , Sixties British Cinema ( London : BFI Publishing , 1992 ) , pp . 102-3 . 9 M. Abrams , Teenage Consumer Spending in 1959 ( London : London Press Exchange , 1961 ) , p . 4 . 10 V. Bogdanor and R. Skidelsky ( eds ) , The Age ...
The book analyses how, as they grew with their fanbase, the Beatles’ films alternate stylistically between mimetic representation and allegorical interpretation, and switch narratively between fan-filled and welcoming worlds, to films ...
In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold ...
Cinéma: The 1950s – Neo-Realism, Hollywood, New Wave. ... London: Bloomsbury Russell Taylor, J. (1963) Anger and After: A Guide to the New British Drama. ... New York: Museum of Modern Art Sinker, M. (2004) If..
The definitive, critical history of the Beatles on filmThroughout the sixties, the Beatles were at the heart of the British pop explosion. They have been heralded as the most fundamental...
1 , 1986 ] and Anita Dobson's ' Anyone Can Fall in Love ' , [ UK top 5 , 1986 ] ) , Howard's Way ( 1985–90 , BBC ; Marti Webb's ' Always There ' [ UK top 10 , 1986 ] ) and Crossroads ( 1964-88 ...
The British Musical Film is the first book to examine this neglected area of British cinema as it developed from the early so-called 'silent' period to the present. Offering a...
The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire.