Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
... Irish Plays ( London : Faber and Faber , 1996 ) McKee , Lorna and O'Brien , Margaret ( eds ) , The Father Figure ... Hegemony and Fantasy in Irish Drama 1899-1949 ( London : Palgrave Macmillan , 2008 ) Murphy , Thomas , Plays ( London ...
Quoted in John Gray, 'Field Day Five Years On', Linen Hall Review, 2, 2 (Summer 1985), 7. 99 100 101 102 103 FDA: G/D/Deane/7. A short essay. that he is redeemed. Translations focused on the ambiguity of the confused disposition — on ...
... 1899–1949 p . 118 . 36. Cathy Leeney , Irish Women Playwrights 1900-1939 : Gender and Violence on Stage ( New York : Peter Lang 2010 ) p . 46 . 37. Riders to the Sea ( 1904 ) by J.M. Synge also portrayed a “ Mother ... IRISH ... .. 15.
Dean, Joan FitzPatrick, ' Pageants, Parades and Performance Culture', in Modern and Contemporary Irish Drama, Norton Critical Edition, 2nd edn, edited by John P. Harrington. New York: Norton, 2009. Dean, Joan FitzPatrick, ' Rewriting ...
Madden, Aodhán, Sea Urchins. Downloaded from http://www.irishplayography. com/search/script.asp?play_ID719 Maguire, Tom, Making Theatre in Northern Ireland: Through and Beyond the Troubles (Exeter: Exeter University Press, ...
had revealed the extent of his anxiety, hysterically investing Joan with the power of bringing down civilisation: Warwick: What can you expect? A beggar on horseback! Her head is turned. Cauchon: Who has turned it? The devil.
Flannery, James, W. B. Yeats and the Idea of a Theatre: The Early Abbey Theatre in Theory and Practice (New Haven, CT: Yale University Press, 1976). Fletcher, Alan J. (ed.), Drama and the Performing Arts in PreCromwellian Ireland: A ...
Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices.
Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality.