Rogue Performances recovers eighteenth and nineteenth-century American culture s fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period s most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
Composed bodies are used by fans to interact with one another, and to enact narratives for one another, in the “global theater” (McLuhan 1970). I will build on the avatar theories of B. Coleman, E. Gordon Craig's concept of the ...
Providing a sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life, and its unmistakable sound remains versatile and enduring today, Laurent Dubois shows.
Lorna Hutson, The Usurer's Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England (New York: ... This impulse might also be linked to the utopian discursive impulse that Amy Boesky, in Founding Fictions: Utopias in ...
"Vividly drawn . . . this stunning book honors the achievement of the captive Africans who fought for—and won—their freedom.”—The Philadelphia Tribune A unique account of the most successful slave rebellion in American history, now ...
This latter characteristic is reminiscent of the “rebellious free spirit” or “loveable rogue” performances in Drugstore cowboy and Trainspotting. Human traffic also revolves around a group of young friends (played in an upbeat fashion ...
courtesan's wayward life , while criticized , becomes the means by which she exchanges her country home for a new life in the city . The courtesan in her youth displays a complex understanding of herself that helps explain the ...
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... Essays on the Material World in Performance by John Bell On the Uses of the Fantastic in Modern Theatre: Cocteau, ... Krishna's Stage: Performing in Vrindavan by David V. Mason Rogue Performances: Staging the Underclasses in Early ...
Chevannes, Barry. Learning to Be a Man: Culture, Socialization, and Gender Identity in Five Caribbean Communities. U of the West Indies P, 2001. . “Ships That Will Never Sail: The Paradox of Rastafari PanAfricanism.
For an account of these early performances of Fawcett's play, see Peter P. Reed, Rogue Performances: Staging the ... It is difficult to determine audience reaction to the content of plays, as many reviews focus more on evaluations of ...