Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character. In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus. Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation. Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.
American Vanguards showcases about eighty-seven works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle.
William Christenberry, W/P.
Presents a portfolio of paintings and sculpture by Frederic Remington and Charles M. Russell, two popular nineteenth-century artists of the American West, and includes descriptive captions, as well as information about the artists' lives ...
50 Great Masterpieces by Frederic Remington
T Barnum. Boston: Little, Brown and Company, 1973. Hart, Charles. “Lithography, Its Theory and Practice. Including a Series of Short Sketches of the Earliest Lithographic ... Haskell, Daniel C., ed. Manhattan Maps:A Co-operative List.
Anshutz Dr. and Mrs. Irving F. Burton, Huntington Woods, Michigan \ _ __ ' - 7 "\.» \\\N£ 180 On the Coast of New Jersey William Trost Richards (1833-1905) Richards, a Philadelphia-born artist, went abroad in 1853 to study in Florence, ...
"American artist Michelle Stuart (*1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos.
In 1770 he painted Mrs. Alexander Cumming (fig. 117), a likeness of the Goldthwaits' eldest daughter, Elizabeth. The previous year Elizabeth Goldthwait Cumming's sister-in-law and her husband sat for their portraits, Mrs. Alexander ...
Artists: Marjike Arp, Jane Balsgaard, Pat Campbell, Kate Hunt, Mary Merkel-Hess, Toshio Sekiji, Britt Smelvaer, Wendy Wahl, and Ketherine Westphal.
Nature , " Rose of the Valley 1 , no . 5 ( May 1839 ) : 116-17 . " Note from Griswold , " The Genius of the West 4 , no . 7 ( July 1855 ) : 17 ; 84. Mayer , With Pen and Pencil , 31. " Nature , " Rose of the Valley 1 , no .