One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him.
McKay's account of his long odyssey from Jamaica to Harlem and then on to France, Britain, North Africa, Russia, and finally back to America.
To Grace Campbell he wrote : You are just as bad as all American correspondents . They never answer letters . I had the bummest holiday in my life . I was down with the grippe for 10 days and only forced myself to get up on New Year's ...
This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging ...
A novel that gives voice to the alienation and frustration of urban blacks during an era when Harlem was in vogue
Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work ...
Originally published in 1928, Home to Harlem renders a lively portrait of the New York City neighborhood in the 1920s, while depicting the life of single, working-class, Black men in the industrial Northeast following the First World War.
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica’s black community, McKay warns that “hardship always melt away / Wheneber it comes roun’ to reapin’ day.” This ...
New compilation of verse by an important Jamaican-American poet. Dialect verse, standard English poems from Harlem Shadows, uncollected works, more. Edited and with an introduction by Joan R. Sherman.
This Is A New Release Of The Original 1922 Edition.