In his best-selling book You Must Change Your Life, Peter Sloterdijk argued exercise and practice were crucial to the human condition. In The Art of Philosophy, he extends this critique to academic science and scholarship, casting the training processes of academic study as key to the production of sophisticated thought. Infused with humor and provocative insight, The Art of Philosophy further integrates philosophy and human existence, richly detailing the foundations of this relationship and its transformative role in making the postmodern self. Sloterdijk begins with Plato's description of Socrates, whose internal monologues were so absorbing they often rooted the philosopher in place. The original academy, Sloterdijk argues, taught scholars to lose themselves in thought, and today's universities continue this tradition by offering scope for Plato's "accommodations for absences." By training scholars to practice thinking as an occupation transcending daily time and space, universities create the environment in which thought makes wisdom possible. Traversing the history of asceticism, the concept of suspended animation, and the theory of the neutral observer, Sloterdijk traces the evolution of philosophical practice from ancient times to today, showing how scholars can remain true to the tradition of "the examined life" even when the temporal dimension no longer corresponds to the eternal. Building on the work of Husserl, Heidegger, Nietzsche, Arendt, and other practitioners of the life of theory, Sloterdijk launches a posthumanist defense of philosophical inquiry and its everyday, therapeutic value.
As Foster himself notes , however , this kind of work can express and collapse into a " posture of indifference ” that expresses both “ a fatigue with the politics of difference , ” since nothing can really be done , and even “ a more ...
Osborne, P. (1999), 'Conceptual Art and/as Philosophy', in M. Newman and J. Bird (eds.), Rewriting Conceptual Art (London: Reaktion Books, 1999), 47–65. Piper, A. (1993), 'The logic of modernism', Flash Art, 26: 56–8, 118, 136.
This book does not simply present a controversy in its current state of play, but instead demonstrates a philosophical mind at work helping to advance the issue toward a solution.
From insights on warfare and diplomacy to advice on how to deal with one's neighbors and colleagues, this collection of classical Eastern philosophy will provide readers with countless nuggets of wisdom.
Schweizer Asiatische Studien: Monographien 43. Bern: Peter Lang, 2003. ———. Wang Chong (27–97?): Connaisance, politique et vérité en Chine ancienne. [Schweizer Asiatische Studien: Monographien 19.] Berne: Peter Lang, 1995.
Brown, L. B. (2004) “Marsalis and Baraka: An Essay in Comparative Cultural Discourse,” PopularMusic 23: 241–55. ... Bullough, E. (1912) “'Psychical Distance' as a Factor in Art and as an Aesthetic Principle,” British Journal ...
13, 53–4, 4, 13; on Priestley as 'founder of modern perfectibilism' see John Passmore, The Perfectibility of Man (1970), 3rd edn, Indianapolis, Liberty Fund, 2000, p. 328. 19. Priestley, Essay on the First Principles of Government, pp.
Through exposure to diverse perspectives and ideas, readers develop a greater understanding of themselves and the world around them. The volume is organized into six dedicated units.
Collection of essays bringing diverse approaches to Plato into conversation in the spirit of its honorand, Christopher Rowe.
What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? A Philosophy of Computer Art is the first book to explore these questions.