In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.
Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.
1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.
Volume 1 of the Writings and Speeches of Edmund Burke presents Burke's early literary writings up to 1765, and before he became a key political figure.
The Works of Aphra Behn: The fair jilt and other short stories
The Ruined Cottage: The Brothers Michael
The greatest quotes from Dickens...an essential reference book providing every notable and quotable passage or short comment by Dickens on a subject which interested the great author...encompassing all his work.
This volume contains more than 350 letters, the great majority of them previously unpublished, which are supplemented, as before, by scrupulous annotation and extensive cross-referencing; by a chronology covering the whole of Hardy's career ...
Ed. J. M. Robson. Intro. Alexander Brady. Toronto and Buffalo: U of Toronto P; London: Routledge and Kegan Paul, 1977. 213-310. . The Subjection of Women 1869. Essays on Equality, Law, and Education. Vol. 21 of Collected Works of John ...
Richard M. Dunn , Geoffrey Scott and the Berenson Circle : Literary and Aesthetic Life in the Early 20th Century 35. Gary Gautier , Landed Patriarchy in Fielding's Novels : Fictional Landscapes , Fictional Genders 36.
He was at one point tempted to join Rudolf Steiner's anthroposophical movement, as Biely had done. When he met Steiner in March 1911, he explained what in the school attracted him, asking Steiner whether one could be a writer and a ...
... Thomas 186 , 327 Davies , John 101 Davis , Lennard 315 De Quincey , Thomas 139 de Saussure , Cesar 312 de Muralt , Béat Loyis 308 Deal , gentlewoman of 288–9 , 332–3 death attitudes to 1-2 debtors suicides by 131 , 273-4 Deathy ...
that none of our students were black, few were women, or that the values we "disinterestedly" discovered in Jane Austen or E. M. Forster were at least partly determined by racial, social, and sexual presuppositions.