In the golden age of silent cinema, Buster Keaton was one of the world's most revered filmmakers, his fame and acclaim matched only by Chaplin. However, when his career and personal life took a down turn upon the arrival of sound, Keaton's achievements were forgotten, and for years he was seen as a faded relic from another era. Contrary to popular belief however, Keaton bounced back. He quit the drink, remarried and got his career back on track. In the 1950s and 60s, he kept on working steadily on TV, in commercials, telefilms, mainstream movies and independent features. This book explores the final years, and days, of Buster Keaton. Chris Wade looks at the wide variety of work he took on, such as Film, which Keaton made with Samuel Beckett; The Railrodder, one of his final two- reelers; and a host of other lost curiosities worthy of dusting off and re-evaluating. Wade makes a case for this latter period being a Keaton renaissance. Also includes a new Q and A with Gerald Potterton, director of The Railrodder.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...