Was there opera - and just what was it like - in New York City before the advent of the Metropolitan Opera Company? In exploring these questions, Karen Ahlquist describes the social, cultural, economic, and esthetic factors that led to the assimilation of Italian opera - a complex, expensive genre of elitist reputation - into New York's business oriented community, with its English cultural heritage and sacred republican traditions. In her lively description of opera as few today can imagine it, Ahlquist considers Jacksonian-era efforts to create a polite social setting, the influence of a socially based clash between "respectability" and broad public access, and the role of music in shaping, not just reflecting, social and cultural life.
Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
Since the first performance of the first opera in 1600, operas have been telling stories from myth and history. This book - beginning with the Creation and ending in the present day - is a chronology of myth and history as told in opera.
The first paperback edition of a myth-breaking book on media, from one of today's most reputable and insightful media historian/critics.
Peking Opera and Politics in Taiwan tells the peculiar story of an art caught in a sea of ideological ebbs and flows.
Brought to life with over 250 colour illustrations, this book charts a comprehensive chronology of myth and history, from the creation to the present, as told in opera.
Literary magazine of Fiction, Poetry, Plays and Opinion
Contemporaneous conjecture placed the book under the joint authorship of Clarence King, John Hay and Henry Adams and their spouses who lived side by side on H street in Washington, D.C. and were collectively sometimes called "the Five of ...
' This is a great read, and an essential addition to my library."—George I. Shirley, J. Edgar Maddy Distinguished University Professor Emeritus of Music, University of Michigan; tenor, Metropolitan Opera, 1961–1973
Movements and parties have given rise to two largely separates specialties in the social sciences.