As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz", states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy". Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history.
Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.
About This Book One night around 1897 they say Buddy Bolden stood up in a New Orleans Dance Hall and played the first hot blues.
In the fashion of the Fisk Jubilee Singers and Fisk University, the Jenkins Orphanage Bands traveled widely, earning money to keep the orphanage afloat. It was an expensive enterprise. Jenkins typically took in approximately 125 – 150 ...
A history of the blues and a personal view of blues musicians, past and present.
Red Maddock fronted the Lloyd Cowden Band at the Trianon Ballroom, at Nicollet and Lake in Minneapolis, in 1933. Another Trianon venue was located south of the Twin Cities. Left to right: Arne Gilbertson, piano; Wally Schultz, basses; ...
The book also includes three jazz poems by celebrated Washington, DC, poet E. Ethelbert Miller. Collectively, these stories and poems underscore the deep connection between creativity and place.
Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz.
... Arna Bontemps , Aaron Douglas , Rudolph Fisher , Alain Locke , Zora Neale Hurston , among others , some inspired by the new spirit of Negro nationalism aroused by Marcus Garvey and his Universal Negro Improvement Association .
In a period rich with good trumpeters, Clifford Brown (1930-1956) had fluency, and a beautiful, unmistakable tone. ... Guitarists Kenny Burrell, Joe Pass and Grant Green must be included in this list, but the jazz guitarists to receive ...
That's a special art. Not everybody has that.”31 As Mitchell's melodies became more complex, critics and fans began wondering what had become of “melody” in her work. Mitchell responded: “Even though popularly I'm accused more and more ...