Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this first single-author scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from She's Gotta Have It through Red Hook Summer, address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner. McGowan argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art. McGowan contends that it is impossible to watch a Spike Lee film in the way that one watches a typical Hollywood film. By forcing observers to recognize their unconscious enjoyment of violence, paranoia, racism, sexism, and oppression, Lee's films prod spectators to see differently and to confront their own excess. In the process, his films reveal what is at stake in desire, interpersonal relations, work, and artistic creation itself.
This is a must-have collector's item and ideal gift for any cinephile and fan of one of the most prominent and influential filmmakers in history.
JANUARY 2, 1988 Yesterday Lisa Jones and I went to a party at Toni Morrison's house in upstate New York. On the way back I let Lisa read my notes so far. She likes the idea a lot. ... 'm surprised myself how calm I 42 DO THE RIGHT THING.
The provocative filmmaker describes his early achievements in the 1986 film, She's Gotta Have It, through his contributions to such movies as Do the Right Thing and Malcolm X, in a personal portrait complemented by numerous firsthand ...
... 171 , 172 , 210 , 213-14 Scottsboro boys , 14 Screenwriters ' Guild , 84 Seagal , Steven , 50 Seale , Bobby , 77 Secret Diary of Desmond Pfeiffer , The , 211 serial killers , 157 , 175 Set It Off , 136 , 212 Seven Songs for Malcolm ...
A collection of essays on Spike Lee's Do the Right Thing.
A toddler's antics keep her mother busy as she tries to feed her, watch her on the playground, give her a bath, and put her to bed.
Lee, Spike (1990, August 22) “I Am Not an Anti-Semite." New York Times. http://partners.nytimes.com/library/film/082290lee-editorial.html (accessed July 12, 2012). Lee, Spike (1998) “Why Aaron Copland?” Spike Lee Presents the Music of ...
It is perhaps to be expected that Spike Lee's films, which also feature empowered black characters, would be compared to the films of Van Peebles. There are, for instance, people who contend that, like the films of Van Peebles, ...
as performed by Louis Armstrong. The song was written for Hot Chocolates (1929)—a musical revue about nightlife in Harlem in which Armstrong performed the solo on “Ain't Misbehavin'” and appeared in the orchestra.
Spike Lee's films have raised a multitude of questions about cinema, from attempts to outline the nature, or "essence," of a black cinematic aesthetics, to a revisioning of American film...